it has become a tradition for the maghreban to make records commemorating the passing of cats he knew and loved. one of these tracks is for martha.one of the tracks someone said sounded like too many pots and pans. the other one he made using elka x705 organ sounds. it s a shame that these tracks together make for such a tepid, middling, unremarkable record. not his best work by any stretch. perhaps there is different music around the corner.

miggz vidaverde - grizzwald - destrada remixes

riding high off his freshman release for the legendary dj sneak, destrada is back with his second release. a three track ep of edgy & at times out of control dance music that will remain in dj crates for many years to come. played by luke solomon, steve bug, sneak & mark farina.

nice authentic deep house!

perc trax returns with its 2nd in the pots & pans series, this time around with tracks from misc (sender / klang / resopal), simone tavazzi (analytictrail/perc trax) and oscar (karateklub / lordag). ruling over the a-side are german techno overlords misc, who when not recording for berlins sender imprint spend their time as niederflur for richie hawtins all conquering m_nus. >modern times< is build on rolling ercussion grooves, a jabbing bassline and a number of short but effective breaks.

incl avus, remute and jean ramesse !!perc trax launches its new various artists series with this killer 3-tracker. first up is glasgows jean ramesse with his monster >violence delays cous cous time<. already a massive track in percs dj sets, now the perc trax bossman gets his grubby hands on it and delivers an fullon noise assault, perfectly timed to be perc traxs big record of the summer

concept lp featuring seven rome-based producers and styles ranging from electro to acid techno to ebm and nu disco, all glued by the rough sound of analogue synthesizers and drum machines. the title is the translation of monte dei cocci, an ancient man-made hill formed by crockery, mostly fragments of amphoras,

music from memory is delighted to present elevations, a new album from manchester based artist tom burford, aka contours

cosmic simmering is a very personal new album of unreleased material from chris gray on saft.

the stone techno series returns with another exciting compilation. comes on clear 180 gram 4x12 inch vinyl in a collectors box.

hip hop vinyl

psychedelic pop

two eps from austrian producer mr. käfer released as on lp.

incl. axel boman remix

amish boy aka sküge (not to be confused with skudge) is hugues croibien, a thirty seven year old belgian who has experimented with electronic music since his teens. with a diet of seal phüric, the prodigy, autechre and unit moebius stoking his primordial fire, croibien began to align with the rage that exists in the breakcore genre. already an addict of reggae and dub at this time, croibien decided to create some cut-up raggacore with his brand new ableton live 3 software. meanwhile with friends, croibien created break n brol, a non-lucrative association which tried to promote alternative electronic music in liège where he lived. they premiered some bassline stars kanji kinetic and -squire of gothos- on the belgian scene, alongside other alternative electronic composers and musicians like subjex, ebola, mustard gunn and herrmutt lobby. the fellowship decided to create a free net label to release compilations with the bnb party artists. the rough style techno resurgence over the last few years has precipitated a metamorphosis, sküge became amish boy more glitchy than techno, more offbeat than acid and more ambivalent than industrial. although heavily invested for two decades now, laika test project on power vacuum will be croibiens first vinyl release, with a follow-up already in the pipeline.

san francisco in the late 1960. the hotbed of psychedelic and rock culture. the dead, joplin, jefferson airplane and a host of others all gaining mainstream acceptance for their acid tinged work. but the city and the surrounding bay area had so much more going for them. a liberal political outlook and a large african american and latino population, meant that musical and cultural reference points were wider and more easily assimilated there than (almost) anywhere else in the united states. two of the biggest groups to emerge from this scene were santana and sly and the family stone, with their melting pots of sound that took in jazz, soul, rock and latin influence. for a while they were two of the biggest acts in the united states and scores of local bands tried to follow in their footsteps. they were hard acts to follow and very few got to the stage of making a 45, never mind a whole lp. one of the best to do just that were leon’s creation, whose debut lp “this is the beginning” acid jazz are reissuing here. a native of san francisco leon patillo led the group, whose multi racial line-up echoed that of his heroes on the local scene. self contained and gigging locally they made their debut album at the tiny studio 10 who also custom pressed the album in extremely limited numbers the music is a perfect blend of acid soul, mixed with hippie sentiments that will get you dancing on the uptempo numbers such as the title track, ‘back roads’ – with its glorious harmonies and the soaring ‘power’. more thoughtful numbers such as ‘until you were gone’ or ‘love’ will touch your soul. so impressed was carlos santana that he eventually asked leon to join his band.

reissue of killer album from 1980 - the albums first reissue on vinyl, it will include a download code booklet with various documents, as well as previously-unreleased recordings.

growing up in the bustling port city of busan and running his own record shop there from the late 70s, kim byoung duk had a front-row seat to the finest in foreign record imports and a taste for the psychedelic that naturally evolved into spiritual, ambient and avant-garde sounds. his growing interest in tao philosophy and the meditative music that accompanied it provided a fertile environment for his audio imagination. unhampered by limited access to musical gear, he made use of a wide assortment of self- sourced pots of various sizes and curvature, cymbals, wooden sculpted flutes and percussion tools—each chosen for its unique harmonic vibration—to create an entirely new and unique body of work. experiment no. x retraces the oeuvre of kim byoung duk, assembling tracks from experiment no. 2, pot concerto and new trilogy, illustrating a meditative journey from the freeness of the tao sound, in the borders of ambient music and the avant-garde, to later groove-oriented jams which introduce rhythmic elements to the palate. this fully licensed release is the first collection of kim byoung duk ,s music, remastered from the original tapes and including for the first time on vinyl songs from the very scarce cd new morning. includes four-page booklet with photographs and an interview from kim ,s personal archives

the self-described “anxiety rhythm” of berlin’s wilted woman, dissects the internal processes of technology through post-industrial glitch, punk, and cut-and-copy aesthetics. barely audible vocals, transmissions, sine waves, 8-bit melodies and pots and pans-like beats intensify the effects of contemporary life on its audience by looking beyond the hd facades to the machines that made them.
her debut 12”, ‘diary of a woman,’ includes the “definitive recordings” of four live set classics and two more recent experiments (lv, trudeau (dither)), recorded over 2015-2016 in providence, montreal, and berlin. for freaky heads only...

clint stewart liefert mit shadows on the wall erneut eine überragend facettenreiche ep zwischen apokalyptischem meteoritenregen und einem flug durch ätherische sphären. die titelgebende monsternummer wurde zuletzt in pan-pots bbc radio 1s essential mix gefeatured.

emotional response and golf channel come together to release a special collaboration between montezumas rache s christian pannenburg (record loft) and jan shulte (muller/ bufiman) and legendary krautrock guitarist dominik von senger (the phantom band / dunkelziffer). a meeting out of the love of vinyl, where panneburg hails von senger to source phantom band rarities and an idea of working together was born. following the success of the percussive heavy debut wu du wu on second circle, the return to the studio for christian and jan shulte and this resultant ep is a true coming together of cross-generational minds. unfolding across 3 songs of subtly and beauty, mood, structure and atmospherics form in a post-balearic meets psychedelic haze. lilting piano start before dub bass and dominik s refrain melts its way in rheinfahren. voids open, minds expand, felds walked, oceans crossed, seas parted, wind pushes against the face, rolling hills, cloudy skies, sun, sand, love, lost, found, deeper and deeper it goes in to your soul. the uber flow continues at a slower pace with tangerine (krauter mix) taking things down but carrying the interplay between artist s continues as if made for each other. guitar hooks in multiple layers, finger clicks, pots n pans vibes gently taking you from formentara to tisno, malibu, tulum or wherever your heart lies restful. finally, guten morgen bromio is the (bro)mance to end any affair. hip hop roots, jan s mouth-harp underlaying, dominik s licks and christian s dub fx laiden spector commandments shuffle together until group vocals bring them finally to completion. a wonderful ep bringing together 3 artists and 2 labels for the love of music

während sich der große wirbel um pan-pots zweites album the other allmählich legt, braut sich nun der nächste sturm an, der nirgendwo sonst, als auf den dancefloors entfesselt wird. acht herausragende remixe fasst das allererste remixalbum auf second state auf einer doppel lp zusammen. eine zeitlose sammlung absolut wirkungsvoller und atmosphärisch eindringlicher interpretationen von einigen großen sowie aufstrebenden künstlern der technoelite, deren remixe und ihre namen noch lange nachwirken werden

the fourth studio album „in the beginning“ by the critically acclaimed live band marbert rocel from leipzig. a place far away from everything, yet right around the corner. a vision close enough to touch, yet so far away. surrounded by keys, hatches, pots and small fragmented parts, marbert rocel lie down, discuss and dance through the winter of 2015. in this environment, in their studio in leipzig, the band ties together the songs, which first saw the light of day in a small spot enclosed by woods in the summer of 2014. ?each decision goes through every head, each chord is listened to a hundred times, from font to back and in reverse, each compromise: a triumph for the common cause. not pompoous string arrangements fuel this album with grandeur, but rather the notion of a consensual nod, which has evolved within marbert rocel over the years. ?“in the beginning” is the fourth album by marbert rocel, a living utopia and a tart kiss for every purist genre lover. nothing is hewn raw on here, rather sculptured delicately. percussion is tickling from synth pads like dew, and the songs welcome you like good friends. like tinkerbell, spunks voice guides through this strange familiar world, moving past big feelings and small gestures, to finally lead to where it all started: “in the beginning”.

containing five synthesiser-led pieces, ‘loon’ was recorded in autumn 2014 across five days at nils’s durton studio in berlin, and continues on from the ambient sounds of ‘stare’ but with the addition of more percussive elements and dub influences. for this new ep the duo wired an oberheim 4 voice and a korg ps3100 to the mixing desk and performed live takes on both instruments. with all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape. the vinyl ep includes a download code.

während sich pan-pots mit spannung erwartetes neues album -the other- schon am horizont abzeichnet, erscheint erst einmal die erste von zwei 12--auskopplungen mit je zwei wohl selektierten tracks. -the other one- ist der perfekte teaser mit der definitiven pan-pot inschrift. big room, serious, dramatic techno!

reflective hypno-house, call-and-response choir practice, rapturous crayola keyboard freak parades, jazz sample cascades, stomps, bells, & softly chirping forest beats. for irregular dancefloors & deviant listeners of all shapes. highly recommended!

limited 2014 repress
played by: dubfire, sven väth, anja schneider, karotte, gregor tresher, carl cox, dave seaman, super flu!!
andré winter delivers his second exclusive ideal audio release – dogma. it is dark, it is hypnotic, it is what we call modern techno music. on the a-side you can find the original, which amazes with the number of sequences, which mr. winter twists and turns.beats and rhythms clash one after the other creating a mysterious and threatening, yet curious atmosphere. just close your eyes and enjoy the mood ride. the b-side offers pan-pots treatment of the track. the remix is massive, somewhat housier and brings exciting sound effects to the surface. great work

das berlin-kölner duo, bestehend aus (stephan) hinz und (philipp) ruhmhardt, kommt auf seiner ersten ep auf pan-pots second state audio-label mit vollgas angestürmt. doch! eine mahlende und unbarmherzige kick, eine hi-hat und snare combo, die ohne frage selbst die willenstärksten in ihren bann zieht und den ganzen dancefloor bezwingt. panther! diese reise kommt nicht nur im titel direkt auf den punkt. knurrender synth, flirrende athmo, treibender puls aus drums. - panther - frisst dich bei lebendigem leib und das fühlt sich gut an.

nach ihrer letzten ep auf mobilee im oktober 2013 erscheint pan-pots neue 2 track ep auf ihrem eigenen label second state audio. cells und third eye sind die ersten beweise dafuer, dass das duo nach 10 jahren ein neues kapitel ihrer musikalischen reise aufgeschlagen hat. waehrend cells sich auf die synthline konzentriert, die beide gepackt hat, und die im laufe des tracks ihre ganze dynamik und volumen entfaltet, wurde third eye aus der idee einer konstant nach vorne schraubenden, hypnotischen bassline geboren, deren hypnotik sich in den kopf des zuhoerers bohrt und ihn suechtig macht

melbournian multi-hyphenate luke brown has his hands in a lot of pots, having dug deep in his dj duo with ricardo ramos, leslie salvador, as well as his ongoing death-disco / dark-synth revisionist twosome, negativ magick. but the past few years have found him exploring more classic, scruffed-up analog house terrain via his latest alias les level, and his six-track debut is purist uncut club gold. bookended by a pair of of mixes of the stellar neo-chicago anthem *house of need*, the rest of the tracks prowl through a host of suave, shuffling, strictly rhythmic variations, from the 3 am skyline seducer *smooth sailing* to the pumping, jazzy jack-groove *working nights*. an expert assemblage by a nuanced craftsman with style to burn.

for our 48th vinyl release on intacto records, we welcome ray kajioka. shaking trees is a warm, deep and delicious ep that is another notch on rays techno glory belt.

>bridging the gap between the old & the new, the minimal & the maximal, minmax represents a widening of scope as we explore the area between the sounds of classic minus & plus 8. as others subdivide and categorize we bring things back together, opening things up more freely and allow a closer connection to the music that i love and the sounds & textures that many of my dj sets journey through.< richie hawtin

its not so easy to pigeonhole de:pots musical style: deep, groovy, smoky and pending somewhere between akufen, krause duo and cypress hill. with his vinyl-debut for sophisticated helmsmen, the analog-studio-punk from the provincial backcountry of eastern germany now delivers a proper dope-house masterpiece, fairly dragging the anxious legs of any foggy dancefloor. bigbait012 – thats five tracks, five statements, five unmistakably groovy and well-hung slices of contemporary house-music, giving the listener the opportunity to get a hint of what crazy and freaked-out experiments de:pot has figured out in his mind – highly contaminated dancefloor drugs for shuffle addicts

after remixing pan-pots >gravity< earlier this year, san francisco sound duo clint stewart and marc smith are back on the mobilee imprint together as safeword on the 96th release. the 3-part ep is a soulful beat-ballad musically defining the three most present phases of the evolution of human love.

niconé is back on stil vor talent with his very much loved project that has already brought us an absolute scorcher on stil vor talent before. again he features the wonderful vocal of narra on this hypnotically happy percussive house affair >caje<. the original track grooves on some free swinging percussions and a softly moving house loop making this a very subtle killer for any afterhour. while narras vocals carry the track as light as a feather it is after the breakdown that things get really musical! for the remixes stil vor talent has aligned a high-quality and diverse array of current top-notch producers. things go dark, minimal and very technological with pan-pots take on >caje< that still keeps a very soulful element in its approach. then, berlins coolest kid on the block adam port knows that every track gets better with a lot of claps-and he sure is right in his interpretation of >caje<. this is one of these tracks that sucks the listener in so deep that there is simply no escape: repetitive yet constantly changing and constantly grooving while remaining very pure! for his very soulful groove dirty doering adds some wonderfully melodic synths and guitars to his track that turn >caje< into an even more summery house affair. this release is filled with tracks that will long echo on the dancefloor!

part 2 of the limited edition vinyl series for the >hi five mobilee< compilation is quite a contrast to its predecessor with more hip swingin housey vibes. moon harbours daniel stefanik first appeared on mobilee at the very early stages of the label, with his track >the bells< on the limited edition add-on release to pan-pots >obscenity< ep. back then his style was associated with old school sounds, detroit energy and chicago vibes, and his track for mobilee068 >tripiando los colores< shows that hes still rocking this to full effect. this is one for the summer! on the b-side of this release, label stalwart marcin czubala brings us >spinning la roulette<, which is sure to get the dance floor moving! straight in with a very funky bassline, playful percussion and hypnotic groove, it offers guaranteed fun on a plate. his recent release with hugo, zoo communale, stormed the charts and we hope you enjoy spinning la roulette in the same way!

ultraphat prime time techno, sounds like a harder brother of pan-pots >confronted< on mobilee 054!! just a killer

title track fly vision is a monstrous arrangement of funked up genius that features a super heavy bassline, a howling vocoder and diverse ensemble of pots and pans.

mit hilfe von pan-pots tassilo liefert bloody mary einen vor bleeps sprühenden minimaltrack ab, der ordentlich bass auf den rippen hat. die andere seite macht das narcotic syntax mitglied klar, und wie

in the only cameo appearance here, london s jesse rose (dubsided) puts his chunky house signature on pan-pot s >black dog<. buy one get one for free ist our offer on side a. the pots & pans edit is a bit more reduced. its the typical jesse rose dub edit style. sebo k – >hori zons< exercise one s sleepless in san juan mix exercise one tackles sebo k s >hori zons< and del iver another functional rave anthem. the remix is mainly influenced by their legendary live gig at this years mobilee sonar party at raum. they started doin this remix at exercise one s private afterhour in the mobilee appartments at paseo san juan. ewan persons comment: >berlin s two brightest rising stars clash in mobilee s new remi x project. this is an absolute monster - probably the biggest dancefloor reaction to anything i m playing at the moment<

spheric deepbassin tribal traxx four tracker !!

texture like sun is the follow up to the much-loved self-titled debut by anglo-mauritian producer, singer and percussionist joseph deenmamode aka mo kolours. nod! tip!